[individual images taken from Meta VP of Fashion Eva Chen’s 2016 grid]
⏰ 1-SECOND SUMMARY
TikTok announced it had successfully restored service, blaming the outage on winter weather
Instagram is working on the ability to reorder Carousels after posting 🤞🏼
Instagram’s Creator Marketplace will assign badges creators who are predicted to drive performance
YouTube’s auto dubbing is now available to all creators globally
Europe’s in its FAFO phase, launching its own social network, plus France dumps Zoom and Teams for a local option, Spain bans social media for under-16s, the Paris offices of X get raided and TikTok’s in trouble for its “addictive features”
Spotify’s now selling physical books
See the creators, platform partnerships, and second-screen experiences you can expect from the Super Bowl LX
Report: One in three Americans will be on social during this weekend’s big game
Was social media actually better in 2016? Former social media managers for Yahoo, Nintendo, the ACLU, Golin, The Next Web, Viacom and more reminisce
💻 ROADMAP
📲 TikTok Updates
On Sunday, February 1, TikTok USDS announced it had successfully restored TikTok back to normal after a week-long outage “caused by winter weather took down a primary U.S. data center site operated by Oracle.” TikTok apologized for the “issues” experienced by it’s U.S. community.
As part of Black History Month, TikTok announced it’s celebrating #BlackTikTok with a hub spotlighting black creators.
Next week, TikTok hosts its LIVE Fest Global annual event in Las Vegas.
Related TikTok News:
📲 Meta Updates
Meta is updating Instagram’s Creator Marketplace. Among the changes, special badges will be assigned to creators who are predicted to drive performance. What’s the criteria? A Meta rep told me automation would be used to evaluate a creator’s past organic and partnership ad content performance and estimate how much value that creator can provide to an advertiser, based on the similarity between that creator’s and brand’s content.
Instagram published a blog post about Sticker tips and tricks.
Spotted: Instagram is working on the ability to reorder Carousels after posting. (This one please!)
Spotted: Threads is testing a Tangle feature that lets you scramble a word or phrase.
Instagram is developing a feature that will allow you to remove yourself from someone’s “Close Friends” list.
Meta is testing a standalone Vibes app in Brazil and Mexico.
📲 YouTube Updates
YouTube announced auto dubbing is now available to everyone, with an expanded library of 27 languages.
Related YouTube News:
📲 LinkedIn Updates
LinkedIn published a blog post on B2B marketing insights. According to the platform, 87% of survey respondents say they prefer credible content from industry influencers to brand-only messaging.
📲 X Updates
Elon Musk confirmed he was merging Space X and xAI, which operates his social network X.
Related X News:
📲 Spotify Updates
Spotify announced it would let you buy physical books via their app through a partnership with Bookshop.org, which supports independent bookstores.
🔑 ONE BIG THING
Was 2016 Social Media Actually Better?
I’m working on a project about nostalgia as a cultural force, so I asked some of my favorite social leads what they missed about working in social back in 2016. Their answers were so good — and really clarified how far we’ve come — that I decided to make it the theme of this week’s newsletter too.
To be clear, 2016 wasn’t all sunshine and rainbows (even if we had technicolor grids). This isn’t one of those “everything was better in the old days” posts. There’s actually a lot of collective amnesia about the things that really sucked that year.
“One of my brilliant colleagues, Ryan Briggs, recently did a presentation on 2016 nostalgia that did remind us that while we were actually living it the first time, we weren’t that thrilled about it,” Kate Bryant (Nintendo, 2016) told me. “The New York Times published 2016: Worst. Year. Ever? John Oliver said “2016 has been an uncommonly s---ty year” on Last Week Tonight.”
The whole concept of yearning for the good old days is nothing new — even if you weren’t alive during that era and they weren’t actually good days. A survey from The Harris Poll on behalf of the Human Flourishing Lab revealed that 68% of Gen Z expressed nostalgia for eras before their lifetimes.
Whether you’re nostalgic for 2016 or just curious about what it was like to work the front lines of social back then, here’s your answer:
Kate Bryant, Nintendo 2016
When I think of 2016, I primarily think of Twitter and Instagram which is where the majority of my professional time was spent, with YouTube, Facebook and a dash of Pinterest as well.
In my head I associate 2016 with the golden era of corporate dank memes. Aesthetics were oftentimes quick and dirty to try and get content up as trends took off. I got 1,000 retweets of a picture of black curtain, because it was speaking directly to a forum that was in a tizzy over our booth at E3 that year.
For me as a professional, I’m definitely nostalgic for a time when social media felt like we were all experiencing life together in real time. The decline of the monoculture has fractured the online experience and we’re having to look for niche trends with active audiences, instead of just throwing out HERE COME DAT BOI!!!!
We were all spinning out, but in 2016 the internet made it feel like we were all spinning out together.
Kate’s now Senior Social Product Marketing Manager at YouTube
Josh Rangel, Golin 2016
It felt as if we were still creating for a brand’s audience versus creating for other marketers. While the level of content social teams are creating has been turned up to 11 from a creativity standpoint, it seems like there’s an aspect of social in 2026 in which we’re playing to one-up other brands and social teams versus truly creating for your brand’s audience.
It was a simpler time. No TikTok. No IG Stories. No UpScrolled. No expectation that you jump on every trend. Less chaos, more creating.
Josh is now senior director, social at Ogilvy
Angela Kim, Yahoo 2016
I remember coordinating Instagram and Snapchat takeovers, obsessing over the IG grid aesthetic and watching influencer marketing take off. Filters were everywhere, from Snapchat’s puppy dog to Instagram’s Clarendon and Gingham.
Twitter was our real-time pulse. It was the first place you went for breaking news, earthquakes, or live-event commentary. It felt like the world’s digital water cooler. It was also the year Instagram ditched chronological order, forcing social managers to rethink strategy.
When I think back to 2016, it feels like a simpler time. Social media felt more playful and connective, filled with features that invited us to participate together. From the Mannequin Challenge to Pokémon Go, we weren’t just consuming content. It felt like we were making connections.
Angela’s now a social strategy consultant
Matt Navarra, The Next Web 2016
Running social back then I recall spending most of my days supporting my team replying to angry tweets with sassy memes!
Platform-wise... It was peak Instagram aesthetic. Avocado toast, marble backgrounds, overhead shots with VSCO filters. Grid curation was serious business.
Facebook gave you (some) organic reach, so you’d spend hours crafting the perfect post, then watch it fly. Boosted posts felt like a cheat code, not a necessity. And Zuckerberg was begging us all to go live. Every brand was suddenly doing office tours and Q&As, and nobody had quite figured out if anyone was watching.
Twitter was wild, but fun. You could still go viral with a sharp tweet and a bit of luck. Less algorithmic throttling of your reach, more feed chaos. And we also saw the rise of sassy brand voice. 2016 was the year social managers became comedians and customer service agents rolled into one.
Now it’s all data dashboards, ROIs, and fighting for scraps of organic reach. Back then, you could tweet something dumb at 9am and be in a news article by lunchtime. It felt like anything was possible.
Matt’s now the author of the Geekout Newsletter
Jenny McCoy, Viacom 2016
I remember being absolutely glued to Stories as they launched on Instagram. Stories took the pressure off the grid post and encouraged a more personality-driven type of content share.
I actively used Snapchat even though I had only a handful of personal friends (mostly from work) on the platform, because they had the most fun filters and I could easily play with those and Bitmojis to make silly content that I’d share with my actual friend network on Instagram.
Twitter was still Twitter and I loved Twitter. The perfect Instagram grid pic still had value. We all knew it was a little silly, but it was a fun challenge especially if you worked in social media anyway.
Jenny’s now the founder of goodhelp
Diana Scholl, ACLU 2016
I think of Twitter and snark. Posting everything on the Instagram feed. I think of weirdo millennials who hung out on Tumblr and were now getting paid by brands to bring that aesthetic mainstream.
#TheDress exemplifies this era. It became a meme (in 2015) after Cates Holderness posted it on Buzzfeed’s Tumblr. #TheDress started my social career because I was a general communications strategist at the ACLU at the time and I encouraged the ACLU to participate in the trend. It went really well, and led to my promotion to social media manager in 2016 because I was seen as someone who had the pulse of the internet.
Social media felt fun and experimental and weird then. People could make friends on Twitter. The form was also still evolving and we were making things up as we went. In 2016 I started screenshotting tweets for ACLU’s Instagram and it was groundbreaking!
Most people who worked in social were operating in a corner with little oversight because we were some of the only people at our companies and organizations that understood its power, and we didn’t always quite understand its power either.
Diana’s now a digital strategy consultant
2016 vs 2026
So, was social better back in the day?
“We’re all nostalgic for 2016 because it was the last era before social became corporate. Before content became “assets” and creators became “influencer partners,” opined Matt, adding, “I miss the chaos.”
Fair point. But with social becoming a corporate job function — rather than something “the intern” or Tumblr weirdos do — there’s now an expectation of professionalism. Better boundaries. More support. Improved tools.
“I worked SO much in 2016,” Diana told me.
And here’s the truth: when everything felt possible, the demands of working in social were endless. There were no playbooks and no appreciation of how much work it took to run social accounts.
We’ve also seen big improvements to platform features and functionality.
“Democratizing live video was arguably the biggest function implemented by social media platforms,” said Vincent Orleck (current Marketing Manager at Canyon GBS, 2016 social media director at Plexus Worldwide), “and that was a result of platforms like Meerkat and Periscope exploding as accessible live video options.”
It’s also never been easier as a creator to monetize your output on the platforms. Creator funds didn’t exist in 2016, unless you were in the YouTube partner program.
Maybe it isn’t about better or worse — it's just different. We traded chaos for careers. 2016 social was messy, exhausting and optimistic. It felt like anything could happen. Now we have improved tools and clearer strategies, plus a generation that sees the downsides of doomscrolling and demands better work-life boundaries.
And if you’re craving that 2016 energy, it’s less about recreating an aesthetic and more about adopting a mindset that resists the urge to optimize everything for performance.
I’d love to hear your thoughts. Please let me know in the comments what’s informing your perception of social these days — whether positive or negative.
🏈 SUPER BOWL LX WATCH
Here are some of the creators, platform partnerships, and second-screen experiences you can expect to see during the Super Bowl LX — or as Jerry Won referred to it, the Bad Bunny concert preshow and postshow.
NFL’s Creator of the Week Dhar Mann teamed up with the NFL and Dad.Social to surprise a school football team with a locker room makeover.
The NFL is bringing more than 160 creators to the big game to film content during Super Bowl Week.
Do celebrity appearances in Super Bowl ads benefit brands? Younger adults (millennials and Gen Z) have the most positive response to celebrity sightings — yes, that would include creators like MrBeast, (21% curious, 16% entertained). Older adults (Gen X and Boomers) are less interested (9% curious, 5% entertained), according to The Harris Poll.
MrBeast is partnering with Salesforce for a Super Bowl commercial, sharing how Beast Industries runs on Slack.
Adweek is partnering with Viral Nation to offer you live social intelligence data of the Super Bowl ads with Pre-Game, Halftime and Post-Game shows breaking down that night’s ad spots: “Because let’s be honest: You’re here for the commercials anyway.”
70% of viewers will be consuming the big game through multiple screens, with one in three Americans using social media, according to Adtaxi’s 2026 Super Bowl Survey.
Instagram timed the release of a new episode of its Carversations series to Super Bowl week, featuring football legend Tom Brady and his 16-year-old son Benny.
X is offering a Brand Ranx leaderboard, offering real-time ranking of Super Bowl ads.
Bleacher Report is partnering with TikTok to cover Super Bowl with a Radio Row set to enable live shows, podcast recordings and quick content capture.
YouTube and the NFL are teaming up for a Super Bowl flag football game made up of creators, musicians, athletes and NFL Legends on February 7.
YouTube also released a Culture & Trends Report about the NFL’s video evolution on the platform, citing that annual global views of NFL-related content grew by over 250% from 2020 to 2025.
Levi’s Stadium will feature the Snapchat Cam custom AR Lenses on the jumbotron. While the NFL x Snapchat Creator Program gives creators, such as Suni Lee, Kayla Nicole Jones, Ocky Way, and Sidetalk, a front-row seat to capture on-the-ground perspectives through Stories and Spotlights.
Threads set up a booth, the Threads Desk, for creators and podcasters to record content at the NFL Media Center. The platform’s also hosting an invite-only dinner for podcasters and sports creators as part of its push to attract podcast communities and conversations to Threads.
👀 ICYMI: JUST THE HEADLINES
France dumps Zoom and Teams as Europe seeks digital autonomy from the US - AP
Spain becomes first country in Europe to ban social media for under-16s - CNBC
W Social is launching in Europe as a regulated and safe alternative to X - Gagadget
Firefox’s new AI controls section allows you to block current and future generative AI features - Firefox
Moltbook is a new social networking site for AI bots — and a major security risk - CNN
💌 PLEASE SUPPORT ICYMI
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I am feeling less and less hopeful for social media. It’s not fun anymore. It’s performative and entirely for KPIs, because somehow, there is still little justification to spend on social media marketing 10+ years later.
I’m a social media manager and I wish I wasn’t sometimes tbh, haha.
When I think about social media in 2016 I think of how innocent it was, Instagram and Twitter were the go tos for anything sports related. I had NBA Canada’s Instagram account go from 0-100k in just 4 months. Similar times indeed.